Since I didn’t really talk about instructors last
time, today (and the next two blogs) are about instructors and coaches. Every
martial arts dojo has to have instructors (coaches, sensei, whatever you call
them). Without instructors, perpetuating the arts is a very difficult task.
Today is a general discussion about instructing, coaching, and whatnot with
regard to what I’ve seen and what I think are good.
I was at a United States
Judo Association (USJA) national coaching certification last year and one
of the guest clinicians was Hayward
Nishioka. For those of you who don’t know Hayward, let’s just say that
there’s almost nothing in judo that he hasn’t done (written books,
competed/coached/refereed at the international level, taught, etc.). Hayward
mentioned that teaching and coaching are two very different things and I wholeheartedly
agree.
So, let’s look at the difference between a coach and an
instructor. Coaches are for sports and their goal is winning. Instructors teach
and their goal is transference of knowledge from the instructor to the teacher.
Instructors may coach and coaches may teach but their reasons for doing so are
wildly different. If you run a club that does any competition at all, you need
both. If you don’t, you should have both.
An instructor should be your first your first hire in a
martial arts dojo, especially if you are starting with no clients. He should be
able to teach fundamental concepts, principles, and techniques to your students
whether the students are 6 or 60. He doesn’t need to be an Olympic or
international champion, but he does need to understand how to relate to any
student and help them learn. I’m in favor of a teacher that thoroughly
understands the fundamentals at a basic level over one who knows a few things
really well.
A coach should be your second on-the-mat hire regardless of
whether your students compete or not. The coach’s job is to help your students
master the techniques in practical applications. Drill and repetition under a
wide variety of opportunities help the students develop their techniques
differently that a regular instructor will teach them. If your students are
competing, the coach can help them understand the rules of the tournament and
develop specific strategies and tactics for competitive success.
Over time, your school grows and gains many more students.
As you grow and gain, remember that large classes with extremely high
student-teacher ratios limit real student growth, especially in grappling arts
where seeing what’s being done is difficult. As a general rule, I like to keep
my adult student ratio at about 1:10 and my youth student ratio about 1:6. If
you have a striking art and you can teach larger groups and see everything, I
encourage you to maximize your ratio, but too much isn’t good.
You’ll notice I said nothing about sensei or any of the
other (Chinese, Korean, etc.) terms usually used for the teacher. I,
personally, don’t believe that everyone who is a teacher or even a black belt
is a sensei for martial arts. Certainly, the term is used generically in
Japanese educational classes, but for a martial artist, it bears a peculiar
meaning. The term also starts being overused and, in some cases, begins to
deify the teacher. When an instructor is looked at as being infallible and the
students feel they can’t ask questions, you begin the process of forming a
martial arts cult rather than a school. On the other hand, when students only
question and never do what they’re instructed, you have a debate club rather
than a martial arts school. In both of these cases, your instructor needs
better training in running a class. May I suggest Harry Wong and Fred Jones? They worked wonderfully for
me!
Let me know what you think of this idea, post in the
comments below or e-mail! Don’t forget to like the Roswell
and New
Mexico Military Institute Judo Clubs on Facebook!
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